Edward Haworth Hoeppner
HOLOGRAM
Small spiders cling to the green
filaments, the evening nearly gone,
the mad, their dizzy skin
depending from the dark wind
that streams across a feather,
the moon’s leaves, the mare’s brow.
Everywhere the human hand is powerful.
Ask the dogs of war, the dogs.
And the body is not to be
regarded as the least ingredient of love,
since the time it is born
again it is born
without a mouth.
It is longer than lightning.
Where the hospital stands on waterlilies,
on stilts of yellow wax, you are
grafting another coat of skin.
Pain over bone, piecework.
It was this so black a night
you burst out the screen door,
an X tearing at the spot
a plane went down before you
collapsed on the lawn, your
neon robe. And life
got to be how to be
rid of the remorse they found
curled below the bedroom window
you had nailed open just so far.
Even if you dream you take
a key from your wallet,
the old kind, it’s the bone
of a doll’s arm, with a hand.
Even if you throw it across the yard,
a door locks in the air
before it hits the ground.
It is true it is night.
There is a naked figure
come upright to the field.
Call it rain, a tree
in the rain, and call happy
the one who reaches up and turns
off the stars, like faucets.
For the wicked are not only driven
by this storm, their eyes
of sandpaper, their legs
tired wars. But the mild, too,
and those like you whose
constant hope is there is
nothing human in this sky.